1991年生于深圳，于2010年至2017年就读于中国美术学院跨媒体艺术学院，获得艺术硕士学位；2015年被校推荐赴伦敦金士顿大学艺术与设计学院学习。现生活工作于深圳。

作为视觉艺术家，谭荔洁以其独特的视角将影像的现实和对当下的思考结合，运用动物、植物、梦境、符号思考事情，通过影像创造一段悬置的时刻。她长期关注这个社会生活中终年被雾笼罩的地方，思考整个高速发展的阳性社会中无法割裂的附属。

主要参展经历包括个展：“忘掉她，像一朵忘掉的花”，一树ARBRE艺术空间，深圳，中国（2023）；“簕杜鹃”，香港中文大学（TC101空间），深圳，中国（2022）。群展包括：“二线插花——深圳当代艺术二〇一九”，蜂巢（深圳）当代艺术中心，深圳，中国（2019）；“RETURN——跨媒介群展”，一树ARBRE艺术空间，深圳，中国（2019）；“2019深港城市\建筑双城双年展盐田分展场——对流城市”，盐田区海山路沙头角保税区，深圳，中国（2019）；“黑夜叠在影子上”，M艺术空间，上海，中国（2017）。

Tan Lijie (b. 1991, Shenzhen, China) studied at Intermedia College at China Academy of Art from 2010 to 2017 and received her Master of Fine Arts degree in 2017. In 2015, as an exchange student, she went to Kingston University to study at the Art and Design College in London. Now, she lives and works in Shenzhen. 

As a visual artist, Tan Lijie combines the reality of images and thoughts on the present from her unique perspective. She uses animals, plants, dreams, and symbols to reflect, creating suspended moments through images. She has a long-term focus on areas in our society that are perennially shrouded in fog, contemplating the inseparable appendages in the rapidly developing masculine-dominated society.

Recent solo exhibitions include "Forgetting her, like a forgotten flower", Arbre Art Space, Shenzhen, China (2023), "Bougainvillea", Chinese University of Hong Kong, Shenzhen, China (2022). Recent major group exhibitions include "Freeland around the Second Line, Hive (Shenzhen) Contemporary Art in 2019", Shenzhen, China (2019); "Return-Mix Media Group Exhibition", Arbre Art Centre, Shenzhen, China (2019), "2019 Bi-City Biennale of Urbanism/ Architecture Sub-Venues: City of Steams", Yantian Integrated Free Trade Zone Shatoujiao Area, Shenzhen, China; "Dark Superimpose", M Art Center, Shanghai, China (2017).